This is from a group meeting of Thursday 19 March 1986 at Newport, with Mr Adie. I had not intended to publish any more transcripts this month, but when I […]
Read more
Author: Joseph Azize
Jacob of Sarug and the Work
When Orage said that “Jesus Christ” used this method (Gurdjieff’s Emissary in New York, 13), he was not defining or limiting Jesus: rather, he was drawing a connection between Gurdjieff’s […]
Read more
The Mystery about a Wish
This is the transcript of two questions and answers from the evening of Saturday 5 April 1986. I found that day’s material rather extraordinary. There were so many points at […]
Read more
Prejudices (St Ephrem)
I have spent some time enjoying the great stock of new volumes on the shelves of the much beloved Fisher Library: it is one of the great innocent delights of […]
Read more
Jasper Dryfesdale (“The Abbot”)
Walter Scott’s 1820 novel, The Abbot, has fared rather better with critics than with the reading public. I am one amateur critic who also likes it, although I would not […]
Read more
The Prayer of the Heart
Gurdjieff taught that techniques such as fasting, confession and prayer were not only valuable but essential for any seeker. Gurdjieff gave few indications about prayer, but he knew of and […]
Read more
Music of Georges I. Gurdjieff, a review
Music of Georges I. Gurdjieff, a recording of a selection from Gurdjieff’s music, is played by the Gurdjieff Folk Instruments Ensemble, directed by Levon Eskenian. Issued in 2011 by ECM, […]
Read more
In Search of the Sublime: Elton John
Music can communicate a feeling of the sublime. I call the “sublime” that precious, subtle feeling of myself as if on the cusp of touching the mystery of eternity. It […]
Read more
Mr Adie on
This comes from the weekend of Saturday 5 April 1986. Someone asked a question at lunch. This person had previously been doing some sort of meditative practice. I am fairly […]
Read more
The Odes of Solomon: Ode 4
The Fourth Ode of Solomon is enigmatic, and has been studied more than most of the others. I will not go into the history of the study of this Ode, […]
Read more
